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The Spanish filmmakers are distinguished by their identity and responsibility in the Spanish production that deserves to be considered as a place to highlight the richness and plurality of the Iberian filmography.

This program, aims to present the first works of emerging filmmakers who work in very different fields but who support the validity of believing in cinema as a place for expression.

Sabato 17 ore 16.30
La higuera de los bastardos  di Ana Murrugaren – 103’
Domenica 18 ore 20.10 – regista in sala
Dancing Beethoven di Arantxa Aguirre  – 80’
Lunedi 19 ore 17
Esquece monelos  di Ángeles Huerta – 76’
Martedi 20 ore 22.30
Las amigas de Ágata di Laia Alabart, Alba Cros, Laura Rius e Marta Verheyen – 70’

The cinema also has an outstanding debt with parity, despite the quotas set by law or the rupture against the idea that there are traditionally male jobs that have unabled the pioneers of the seventies. However, it must continue to be a framework in which to show the work of contemporary filmmakers and the nature of their works. The necessary legitimation of female narratives, their own aesthetics and the protagonism of their voices makes it possible to establish a program that highlights the quality of the directors who, whether beginners or not, are going for another type of cinema.

The exhibition combines two works of fiction and two documentaries. And even between these two genres you bet on different formats and approaches that enrich even more these early works. The two works of fiction take place in two spaces that were not traditionally open to the cinema.

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Each of the films we offer has a different musical nuance based on the tone of the film, varying from “La Puerta Abierta” with its more familiar and traditional perspective, to “María (y Los Demás)”, a movie that seeks to highlight the female figure. Music represents spaces of freedom and fantasy. “Muerte en La Alcarria” describes instead a musical map for a geographic space carried by musicians who seem to be troublemakers, picaresque characters and ghosts from the past.

La puerta abierta di Marina Seresevsky – Spain, 2016, HD, Color, 84’ – martedi 28 ore 18.30
La pols di Llàtzer García – Spain, 2016, HD, Color, 85’ – mercoledi 29 ore 16
La muerte en la Alcarria di Fernando Pomares – Spain, 2015, HD, Color, 83’ – giovedi 30 ore 16
María (y lo demás) di Nely Reguera – Spain, 2016, HD, Color, 92’ – venerdi 1 dicembre ore 20.10 – in sala la sceneggiatrice Valentina Viso

in collaboration with:

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After the success of last year’s selection of films for the Teddy Award, the queer-themed prize of the Berlinale, this year’s RIFF offers a new selection on LGBT topics, starting with the Italian premiere of “You’ll Never Be Alone”, winner of last year’s Teddy.

Crossing Rachmaninoff  by Rebecca Tansley, New Zealand, 2015, 99’
Margarita With A Straw by Shonali Bose, Nilesh Maniyar, India, 2014, 100’
Jonathan by Piotr J. Lewandowski, Germany, 2016, 99’
You’ll Never Be Alone (Nunca vas a estar solo) by Alex Anwandter, Chile, 2016, 81’
Darkness (Il buio) by Giuliano Oppes, Italy, 2016, 20’
Giro di giostra by Massimiliano Davoli, Italy, 2016, 16’
Nessuno mi aveva mai aperto la porta by Valeria Tomasulo, Italy, 2016, 29’
Victoria Rosana Maite by Pamela Hurtado, Iñaki Velásquez, Chile, 2016, 31’

This section also has a broader significance, especially in this period of history, because it helps to shed light on dynamics that in some parts of the world are still punishable by the death penalty and that in our country are the subject of deep political and social debate.

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The Kinookus Food Film Festival takes place in Ston (Croatia) every September. Ston has been famous for ages for its walls, saltpans and excellent gastronomic offer. The area around Ston is renowned for the growing of shellfish, superb wines and olive oil. By bringing the seventh art back into the open public spaces of Ston, the Kinookus organizers wish to give their support to the ongoing efforts of the local community to revive and preserve the unique spirit of this magical place.

Kinookus is a food film festival which, in exploring issues of industrial food production and its consequences for the planet, tells the story of “ordinary” men and women who engage their creativity and resourcefulness in trying to overcome the existing, collapsing socio-economic model. The Festival structure (Cinexperience – competition and retrospective, Cinefocus – lectures and meetings, Cinexperiment – educational workshops, Cinelocus – an open-air market for local, traditional and organic products, Unseen – agro-archaeological bike tours) strives to express all the abundance of the story of food as well as different aspects of its profound meaning for the life of mankind.

The idea of presenting during RIFF a kino-restaurant, which gives the opportunity to the public to try the dishes and the drinks they are watching on the screen, was introduced thanks to the collaboration with Kinookus Food Film Festival. A unique sensory experience that happens during Kinookus in a special section called “Taste the screen” where some chefs present the gastronomic culture of their country or propose a reinterpretation of the Dalmatian cuisine with local products and ingredients.

The documentary Fishermen’s Conversations, shown during the last edition of Kinookus FFF, will be presented with some dishes by Chef Mario Delo from Ston who will prepare some of the specialties of the Dalmatian coast given the fact that the subject of the movie is traditional fishing on Hvar Island. It will also be shown the short film that won last year edition of Kinookus Food Film Festival: The power of red gold directed by Davide Minnella.

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www.goldenbollfilmfestival.com
http://alternativa.cccb.org

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